The American film director and film producer Michael Bay (as it gives the definition of Wikipedia) is a very mysterious phenomenon in world cinema: on the one hand, the twenty-year existence of his figure in the circles of the society elected tinsel town is emotion, on the other hand – introduces a strong resentment because almost whether in the annals of Hollywood chronicles ever zatёsyvalsya so slovenly, lazy and incompetent idiot, as he undoubtedly is.
The film version of “Teenage Mutant Ninja Turtles”, however, took no Bay, and a Jonathan Liebesman (for his authorship at the moment are such wonderful films as “The Texas Chainsaw Massacre” with fashionable, subtitled “The Beginning” and “Battle: Los Angeles “). Libesman – figure in the world of film is not quite got stronger, and such considerable respect as a personality Bay until inspires – and therefore in the campaign is doomed to success of the product almost everything was concentrated on behalf of the Bay, speaking producer. An additional object to lock the viewer’s eyes was an American fashion model and actress Megan Fox (the definition of the profession as it is taken from Wikipedia).
The film, despite the involvement of such great personalities turned out relatively well, but somehow colorless – that is not the worst verdict for such Kintz. The narrative does not sways from side to side and not in the throes of batters, as it happens in the same transformer, action quite inventive, even starring Megan is not particularly annoying. But the film does not cling – how to praise (which do generally not worth it), and to openly criticize. He rides an even layer of a two-hour before the viewer’s eyes, but the eyes do not marks, not even trying to do something catchy and memorable, but because – by. Transformers leave behind a trail of aftertaste, sometimes even pulling reconsider, and this film is not able to carry away from the head and disappears very quickly. As a film adaptation of the cult cartoon, which was grown generation – do not pull. Turtles (as rat Splinter) turned out just disgusting – craving for giving characters steepness crushed sweet flexibility images and spawned clumsy bulls with vile gopnicheskimi snouts. Shredder detects a considerable resemblance to Megatron, but it is much less ductile, and on krutote markedly inferior. Characters barely marked, absolutely not developed – but still, there is a poor excuse them. Assistant Shredder, Eric Sachs, by William Fichtner ugly – the only more or less humane character, though painfully stereotypical.
The script is not burdened plausibility and logic (yes, in fact, what this film is?) And the whole is made up of piles notorious stereotypes, but really annoying moments far less than it might seem at first glance. In addition, the movie can please pretty fit jokes that for me it was a pleasant surprise after merzot trailer.
In general, film satisfactorily and digestible, and in any case it turned out better than expected. But he has two spend hours of your time – a dubious occupation after serving better at home.
Lost somewhere between the quintet and six, but rounded,
slogan «The leader. The brains. The attitude. And Mikey »
directed by Jonathan Liebesman
Josh Appelbaum scenario, Andre Nemec, Evan Daugherty, …
Producer Michael Bay, Ian Bryce, Andrew Form, …
operator Lula Carvalho
composer Brian Tyler
artist Neil Spisak, Miguel Lopez-Castillo, Scott P. Murphy, …
Installation Joel Negron, Glen Skentleberi
science fiction, fantasy, thriller, comedy, adventure, words …
$ 125 million
charges in the US
fees in the world
$ + = 286 000 000 $ 477 204 754
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