Max Von Sydow
Birthday: 4/10/1929, the
Age: 86 years
Place of birth: Lund, South. Sweden, Sweden
Original name: Carl Adolf Von Sydow
The turning point in the film career of the actor was his role in the philosophical tragedy Knight Bergman “The Seventh Seal» (Det Sjunde Inseglet, 1956), the author embodies unstoppable quest final answers to the fundamental questions of human existence on earth.
Sydow (Sydow) Max von (p. 10. 04. 1929), Swedish film and theater actor. Real name – Carl Adolph. Born in Lund. In 1951 he graduated from the Actors Studio at the Theatre “Dramaten” in Stockholm; later he played on its stage, and in other theaters in Sweden. Theatrical asset Sydow is extensive and includes starring roles in “Peer Gynt” by Ibsen, “Misanthrope” JB Moliere, “Prafauste” Goethe (all – in productions I. Bergman). The film debuted at the A. Sjoberg in the film “Just a mother» (Bare En Mor, 1948), then played in the film adaptation of them removed the drama by A. Strindberg “Freken Julia» (Miss Julie, 1950). The turning point in the film career of the actor was his role in the philosophical tragedy Knight Bergman “The Seventh Seal» (Det Sjunde Inseglet, 1956), the author embodies unstoppable quest final answers to the fundamental questions of human existence on earth. Becoming, in fact, the second “I” Bergman-philosopher Sydow continues the search in the film “Face» (Ansiktet, 1958), “The Virgin Spring» (Jungfrukallan, 1959), “How in the mirror» (Sasom I En Spegel, 1960 ), “Communion” (1962), “Hour of the Wolf» (Vargtimmen, 1967), “The Passion” (1968). Perhaps the highest triumph Sydow was the role of musician Ian Rusenberga dystopia in the film “Shame» (Skammen, 1967), with astonishing force showing fearsome degradation of the individual under the pressure of anti-human environment. No less convincing actor in small roles, such as the role of the owner of a gas station in the ‘Strawberry Glade »(Smultronstallet, 1957); elderly craftsman in the film “On the threshold of life» (Nara Livet, 1957); husband of the protagonist in “touching» (Beroringen, 1970), speaking as a rule, in its role of true human and moral duty maximalists. Working with Bergman provided Sydow strong international recognition. In 60-80 years, he acted in various European countries and the United States in the mid-70s touring Broadway. His foreign kinorepertuar huge, but unequal quality: in addition to work in the film F. Rosie, such as “illustrious corpses» (Cadaveri Eccellenti, 1976), V. Dzurlini “Desert Tartari» (Le Desert Des Tartares / Il Deserto Dei Tartari, 1976 ), A. Mikhailov-Konchalovsky’s “Duet for soloist”
(Duet For One, 1986), W. Wenders (“Until the end of the world» (Until The End Of The World, 1991), a lot of it and “walk-through” roles, owes its existence to the established around the personality of the actor after the “Seventh Seal” “metaphysical halo”; among them – as in the “Exorcist» (The Exorcist, 1973) William Friedkin and its sequel (directed by George. Boorman, 1977) or “Steppenwolf” – maloudachnoy film adaptation of the novel by G. Hesse, carried J. Haynes (Steppenwolf, 1974). However, he remains in them a professional of the highest class. By the late Sydow fortunes are roles in two films B. Augusta, “Pelle the Conqueror» (Pelle Erobreren, based on the novel by M. Andersen Nexo, 1988 ) and “Good intentions» (Goda Viljan, Den, 1991) (on the eponymous autobiographical novel by I. Bergman), where he had to play the grandfather of the famous Swedish filmmakers. In 1988 he made his debut in the field of film direction, putting the film “Katinka” / “On The Road” .
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