Birthday: 9/19/1948, the
Age: 66 years
Place of birth: Coase, Isle of Wight, United Kingdom
Height: 187 cm
In 1991, for her role in the film-drama “reversal of fortune” Irons won the “Oscar” in the category “Best Actor” and his film career reached its peak. Thus began a new stage in the work of the British kinoidola who found happiness in the movies, on stage and in private life.
Jeremy Irons, John was born September 19, 1948 on the Isle of Wight, UK owned. Cinema and theater for grown on a small island boy had a rare holiday. Maybe that’s why, after graduating from school, Irons in 18 years, began working in the theater as an assistant stage manager part (whose job was mainly to sweep the scene). Then he went to acting classes at the Bristol theater “Old Vic” and eventually became not just a member of the troupe, but the star of Bristol Theatre and played many roles in the popular theater.
Irons later moved to London and played in Bristol last John Baptist became popular in the musical “Godspell”. Already in 1980, he performed in London’s “The Royal Shakespeare Company”, and soon received a small role in the biographical film “Nijinsky” by Herbert Ross.
By the end of the 80s Irons of European cinema goes to Hollywood, but does not reduce the level of psychological stress in the characterization of his characters. Staying true to himself, he finds true fame, starring in television serials dramatization of Evelyn Waugh’s novel “Return to Brideshead Revisited.” At the same time, he starred in the screen version of “The French Lieutenant’s Woman” (1981), well received by the public. Coinciding, both reported the film adaptation of viewers starring young actor, internally connected with each other, although related to the different periods chronologically. In both, he embodied the image of an English gentleman, reserved, stingy on external manifestations of emotions, but deep feelings and capable of serious mental work.
By his own admission the actor, he was “loaded introspection, inner life.” His appearance: chiseled cheekbones, pointed chin, burning brown eyes – gives all the possibilities to create the impression of rigid self-discipline, as well as the passions raging beneath the mask. It is no accident his talent so close art playwright Pinter. No coincidence that Irons has played a role in the film adaptation of Pinter’s play “Betrayal” (1983) – subtle psychological research painful love triangle. In this film, the actor made the same great psychological depth of the images, as in the paintings of “Under the Moon” (1982), “The Wild Duck” (1983) and “Traitor” (1983).
Reputation impeccable performer roles onscreen gentlemen Irons opened the opportunity to participate in the implementation of a long-standing project, once destined for the famous Italian director Visconti, then for Losey and captured finally director Schl?ndorff. The role of Charles Swan in the film adaptation of the first book of the epic Proust’s “In Search of Lost Time” – “Swann in Love” (1983), though not become a major event, but dropped the reputation of the actor. Swann Irons – Connect weakness, melancholy and perseverance while – was perhaps the greatest achievement of the film. The actor played the role so perfectly that saved the film from complete failure at the box office.
Soon Jeremy Irons has accepted the invitation to film in the movie “The Mission” (1986) and has not lost. The role earned him a nomination for the “Golden Globe” in the category “Best Performance by an Actor in a drama film.”
Irons popularity attracted the attention of director David Cronenberg, invited her to starring twins Beverly and Elliot Mantle in the film Dead Ringers (1988). The success of the picture brilliant actor brought several prestigious awards. This was followed by an image in the acclaimed film-drama Barbier Schroeder “Turn of Fortune” (1989). For his role in this tape Irons won the 1991 “Oscar” in the category “Best Actor” and his film career reached its peak. Thus began a new stage in the work of the British kinoidola who found happiness in the movies, on stage and in private life.
Irons married second marriage to actress Sinead Cusack, the daughter of well-known British actress, Cyril Cusack. The whole family is now home to around Oxford. In addition to acting, Jeremy heartily enjoying raising their offspring, which have two pairs – Max and Samuel. Like many stars of cinema world, the actor was able to combine business with pleasure. He almost never parted with his family and making every effort to ensure that even the most attractive part is not divorced from his family for a long time. These were shooting paintings “Water World” (1992) and “Stealing Beauty” (1996), where Irons co-starred with his wife. Of the many good roles Jeremy Irons in this period can be noted the role Gruber in the third part of the “Die Hard” Kafka in the eponymous film of 1991, and the image of Esteban Trueba in “The House of the Spirits” (1993).
Year 1998 turned out to be ambiguous for an acting career Irons – costume in the film “Man in the Iron Mask” with the participation of many stars, he played the role of Aramis. But Adrian Lyne film adaptation of Nabokov’s “Lolita” in which the actor played Humbert in wide release in the prudish America did not come out. However, this fact does not cast Irons disheartening. He announced a short break for yourself and devoted all his spare time and wait really good offers. And the actor’s confidence that the film industry can not simply do without it completely justified, when in December 2000 he was offered a role in “Dungeons & Dragons”, where it shone with a rising star Thora Birch.
Stunning charming villain role, paving the way Irons in the film world a new era, the film business has forced analysts again reflect on what is the secret of the success of this unique actor. In the words of Jeremy, everything is very simple. None of the images are not played them became his kinokleymom again and again surfacing in the memory of viewers. He is not earned a role villain nor on the screen or in life.
Being an idol for the younger generation “dream factory,” Irons never throw their weight around young colleagues on the set. He even became something of a psychoanalyst for the elite of Hollywood. Many colleagues in the craft Irons often complained to him that they played images often do not find an adequate response from the audience. Irons himself for many years of his career with this problem have never faced. Moreover, the career has never been absolute dogma for him when choosing a role. Here’s how to determine the Jeremy Irons secret of his skills: “We need to think, and not just talk. The words appear as a continuation of thought. That is the whole meaning of the actor’s work.” And the role of the famous people that he now often plays, this is confirmed.
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