Birthday: 31/08/1897 Year
Age: 77 years
Place of birth: Reysin, Wisconsin, USA
Date of Death: 04/14/1975 Year
Place of death: Los Angeles, California, USA
Nationality: United States
Height: 178 cm
Murch began his career in film with roles romantic lovers and starred in 70 strips of different genres.
Frederic March. Nastoschee name and surname – Ernest Frederick McIntyre Bickle. Possessed a brilliant technique and an unusually wide range of performing. Having established in the 30s, meticulously chose roles and scripts.
Twice winner of the “Oscar” (a double role in “Dr. Jekyll and Mr. Hyde» (Dr. Jekyll And Mr. Hyde) Prize at the Venice IFF, 1932; War veteran William Wyler’s film “The Best Years of Our Lives» (The Best Years Of Our Lives, 1946), Murch began his career in film with roles romantic lovers and starred in 70 strips of different genres.
A rare insight into the specifics of the camera allowed Marchena succeed in the film adaptations of world classics – RL Stevenson, L. Tolstoy, for example, Nekhludoff in the movie “Once again we live» (We Live Again, 1934); Vronsky in “Anna Karenina» (Anna Karenina, 1935), Victor Hugo (Jean Valjean in “Les Miserables”, 1935), to appear in historical costume, for example, Boswell in “Mary of Scotland» (Mary Of Scotland, 1936) or Mark Twain’s appearance in the film “The Adventures of Mark Twain» (The Adventures Of Mark Twain, 1944), portraying demobilized sergeant or tormented by doubts as Willy Loman contemporary in “Death of a Salesman» (Death Of A Salesman, in 1951, the prize at the Venice IFF-52 ), and even the US president in the movie “Seven Days in May» (Seven Days In May, 1964).
Model of professionalism and demands of himself, March did not know failures, but critics believe that the best thing he succeed images of people experiencing excruciating internal discord.
Superbly played the role of a religious fanatic Mathew Brady in the movie “Inherit the Wind» (Inherit The Wind, 1960 Prize at the IFF in West Berlin) and a German millionaire whose wealth created by the hands of prisoners of concentration camps in the movie “The Condemned of Altona» (I Sequestrati Di Altona, 1962), supports this view.
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